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How
to carve a name board for your boat
first published in Small Craft Advisor
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We renamed our boat without much fuss a couple of seasons
ago. In fact it was such a non-event that the old name remained
in faded print on the stern quarters. Eventually our negligence
became a bit confusing, so research for a new shiny set of
stick-on vinyl letters was initiated. Not long into the pursuit,
it was obvious that this convenient method was surprisingly
expensive. Our boat is a cute double ender, i.e no transom,
so two name sets are needed. TURNSTONE in 3" letters
printed with a contrasting outline would cost almost $100
from one supplier. No way.
Soon after the idea of carving a couple of name boards out
of wood was conceived. After further investigation into the
subject, and some trial runs, it was deemed a viable, if not
superior option. This is what I learned: |
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Carving
letters is extremely difficult if you're going after a straight
laced, print-like font with similar size, angle and appearance
of the individual letters. The result, with virtually no carving
experience, will most likely be disappointing.
The solution is to design a pleasing, hand written style
font that thrives on irregularity. One that looks good despite
the roughness of freeform carving. With this approach you
can have a more relaxed attitude. Missed the line with the
knife? No problem, just widen the letter. Can't carve absolutely
straight and parallel sided blocks? Doesn't matter, because
there aren't any straight lines.
Despite the freedom, a little planning will pay off. Draw
the intended design full size on a large piece of paper. Even
with slightly dissimilar sized letters it looks best if the
overall name doesn't gradually get bigger or smaller. Also
try to keep the spacing somewhat even, but at the same time
pay attention to the fact that some letter combinations look
best closer together or farther apart. There's no need to
fuss over two E's being slightly different, as long as they
clearly embarked from the same style. And speaking of style:
To preserve continuity it is best to design all letters from
the same basic idea or principle. |
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| Time
to carve. Select a piece of wood that will fit the graphic
plus space to securely clamp it to the bench. Certain species
carve well, while other are splintery or to strenous to hack
into. Good choices are mahogany, cherry or teak. Lacking suitable
boards of these fine woods, simple pine will do the job. Stay
away from fir at all cost, and likewise all the rock hard
oaks and maples.
The name boards for our boat was done using the two simple
chip carving knives shown in the photos. These are universal
styles, available thru most catalogs focusing on hand tools.
The drop point knife on the bottom is responsible for 95%
of the work, while the chisel style one is mostly used for
cleaning deep corners and making stop cuts. I feel they work
far better for this job than a big assortment of expensive
gouges, veiners and chisels.
Now grab the paper with the design and lay it upside down
on the bench. Darken the back side with a soft pencil in way
of the letters. Turn it over and position it on the freshly
planed wood, then, with a ballpoint pen, trace the letters
until the name is tranferred to the boards. |
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Start
with a simple letter, like T, L or I, something with all straight
lines. Most letter styles will be defined by long cuts of
varying width and depth, meeting at an inverted ridge. Carving
across the grain, as in the post of the T, is far easier than
the long grain cuts found on the beam of the T. With the latter
the knife will want to stay with the grain, instead of following
the pencil line. The ultimate challenge is the ever changing
grain of an S or O.
First make stop cuts at the ends. With the drop point knife
carve a groove of pleasing proportions, probably somewhat
shallower than 45 degrees. One way to hold the knife with
two hands is shown, but watch out, I'm a lefty. You can use
the forward index finger (or thumb) to apply most of the pressure,
while the other hand guides the blade along with a smooth,
precise motion. It is most satisfactory to make the full depth
of the cut in one pass, but in harder species this is difficult.
Even with the pine used here, some letters required two passes.
Just try to keep the angle of the knife the same. Don't rush
anything. Slow and steady does it. Needless to say the tools
must be razor sharp to start with. Frequent stropping along
the way also helps. |
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| When
done I hope your fingers will ache a good deal less than mine!
More coffee breaks might have helped. Carving TURNSTONE took
about 90 minutes per board. Strive for a neat job, since sanding
is next to impossible. Clean up fuss and imperfections with
the knives, and when satisfied paint the letters. I gave them
2 coats with some leftover topside paint from the last boat
I did. After curing I ran the boards thru a thickness planer
to get crisp edges, and remove spills. Going over with a belt
or random orbit sander will acheive the same.
Final shaping of the boards can be as elaborate as you please.
I chose a simple round finish to the ends, with the fasteners
centered in this semi circle. Round or chamfer all edges,
then varnish or oil both front and back. Attaching these things
to the boat can be a 15 minute job or an all day affair depending
on hull material and potential access issues to thru bolted
fasteners. Whatever your situation is, it would be prudent
to provide airflow between the boards and the topsides with
rubber washers on the fasteners.
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